бисер

My submission for this project was an experiment with geometric patterns and non-functional beading. I enjoyed the challenge as well as an opportunity to be a part of this project. 

This work is a study of imaginary flowers/vines, and the tribal flag of the Meskwaki people.
I am an artist that uses small glass beads as my primary medium. I have been actively beading for over 50 years and make a wide variety of traditional Meskwaki regalia. I am inspired by the history of the Meskwaki people and I do my best to emulate the methods of my ancestors when creating designs for my work while moving forward with innovation of materials and practices. I also work in the graphic arts of printmaking with lithography, intaglio and monotype.
 

This work was created in the traditional technique of applique fabric on cloth from broadcloth. Bead embroidery technique is applied.
For this piece I used the image of a capercaillie (luk) and the Sun (nai). These two symbols are most often used and are most recognizable as images characteristic of the Khanty ethnic group. Capercaillie symbolizes respect for the feminine origines and childhood. The Sun is one of the most revered symbols and one of the easiest to make. 
 

A circle of beads is an Умут ornament. Each circle has its own meaning. The blue flower in the center of the circle represents life; orange circle - means a spider, a symbol of strength and endurance; black - a thorny path; black and white - the eternal struggle between good and evil; orange circle - sun, victory; red and blue - infinitely new life, sunrise; white fur - rays of good, under the fur - rays of the sun. Ptarmigan claws in the corners , embroidered with a floss thread, denote the sacred bird of the Donre clan.

size 10 3-cut glass beads, canvas , gesso, horse hair, leather, yarn.

 

size 11 3-cut beads, canvas, gesso, wool, 6mm faceted glass beads, shells, leather, bone hair pipe beads, cowry shells.